By: [Author Name] Date: [Current Date]
Kahle was a brilliant defender. He argued that the Archive was a library. Under the DMCA, libraries have safe harbors if they respond to takedown notices. The Archive did respond—slowly, painfully, and often after the file had been mirrored a hundred times. The Noise Problem: 2005 was the year of the "Blu-ray vs. HD DVD" war and the iPod video. The media industry was suing grandmothers and 12-year-olds for downloading Guns N' Roses on LimeWire. They spent millions fighting peer-to-peer networks. Suing a non-profit library in San Francisco for hosting a 1987 PC booter game was bad PR. The "No Profit" Clause: Because the Archive never charged a dime, never ran ads on the file pages (though they did solicit donations), it lacked the commercial smell that attracted federal prosecutors. It was ideological piracy. The Legacy: From Buccaneers to Librarians By 2010, the tide had turned. The launch of GOG.com (Good Old Games) in 2008 began to legitimize the abandonware market. Steam grew up. Suddenly, the "pirates" of 2005 looked less like criminals and more like prophets. internet archive pirates 2005
While The Pirate Bay was fending off lawsuits in Sweden, the Internet Archive operated out of the Presidio of San Francisco with a noble mission. Most ISPs and university network administrators didn’t block archive.org because it hosted presidential speeches and Grateful Dead soundboards. But lurking in the subdirectories were digital treasures that copyright lawyers would weep over. In 2005, the user interface of the Internet Archive was spartan—mostly raw directory listings, FTP links, and simple HTML tables. For a pirate, this was paradise. By: [Author Name] Date: [Current Date] Kahle was
Because the Archive offered and unmetered bandwidth (paid for by grants and donations), it became the perfect CDN for piracy. A user on a forum like Reddit (founded that same year) or Something Awful would post a direct link to an Archive file. The download would max out a T1 line, and the Archive footed the bill. The Archive did respond—slowly, painfully, and often after
In 2005, physical media was dying, but digital storefronts (Steam was only two years old and hated by gamers) were not yet trustworthy. The result was a massive gray market for "abandonware"—software whose copyright holder had gone out of business, been absorbed, or simply stopped supporting the product.
Enter the Internet Archive.
To utter the phrase “Internet Archive pirates 2005” today might sound like a contradiction. The Internet Archive (archive.org) is now a beloved, 501(c)(3) non-profit digital library, home to the Wayback Machine and millions of public domain texts. But in 2005, to a specific subculture of gamers, retro-computing enthusiasts, and media preservationists, the Archive was the greatest pirate vessel ever to sail the information superhighway.