Hangan asked each model to bring a garment belonging to their mother. The morning shoot treated the garment as a sacred relic (gentle handling, respectful draping). The evening shoot had the model destroy the garment—cutting, burning, or soaking it in muddy water.
The critical reception was polarized. The Fashionography called it “unwatchable genius,” while other outlets decried it as gratuitous. Hangan defended the work in a rare Instagram statement: “Set 43 is not about shock. It is about what we refuse to see in our own biochemistry.” alexandra hangan sets 41-50
A stark departure from interior decay, Set 46 moves outdoors but retains the uncanny. Hangan commissioned silicone prosthetics shaped like giant fern fronds, which she attached to models’ spines, elbows, and kneecaps. Hangan asked each model to bring a garment
For collectors, Set 43 is the most sought-after within the 41-50 range, with limited edition prints selling out within 48 hours. Release Date: September 2023 Format: Video loop + 6 still images The critical reception was polarized
No discussion of is complete without addressing the visceral punch of Set 43. Shot in a dismantled abattoir outside Cluj-Napoca, the set explores lactation, iron deficiency, and the industrialization of the female body.
Hangan has stated that Set 50 has no single interpretation. It is both an ending (the 50th set) and a refusal to end (the figure never crosses the threshold). In interviews, she refers to it as “a long blink.” Why Alexandra Hangan Sets 41-50 Matter for Fashion and Art Several factors elevate this specific range above Hangan’s earlier and later work (Sets 51-58 are currently in production for late 2025).
The final set in the sequence is deliberately ambiguous. It consists of a single 4-minute long-exposure photograph showing a figure standing in a doorway, half inside a dark room and half illuminated by an unseen exterior source.